Ostensibly both a remake of the Southern Gothic erotic thriller by Don Siegel from 1971 and also an adaptation of Thomas P. “I loved the sexual repression under the high lacy collars in the heat of the South, and how under all the melodrama, there were themes I could relate to about the power struggle between men and women,” writes director Sofia Coppola in the LA Times of her award-winning film, The Beguiled, adding: “…I loved that the story was about hierarchies in groups of women, something I’ve looked at with my earlier work.” Without further ado, let the roundup commence, and in 2018 let’s catch up in the queue and compare notes, shall we? Enjoy!
The auteur is alive and well, arthouse and blockbusters are plentiful, documentary films are on fire, genre films are stronger than ever, and let’s just echo it all once more for posterity: female-led projects are popular, bankable, and breathtaking, as are strong women characters. So many of our favorite films from 2017 feature brilliant women either in front of the lens or behind it –– from Wonder Woman to Rumble to Lady Macbeth to Lady Bird to Faces Places to The Beguiled –– what phenomenal females!īeyond that, just a cursory glance at the titles assembled here in our 30 Best Movies of 2017 (and do please note that narrowing the titles down to a workable 30 titles was no small feat –– I cringe at the many worthy films that didn’t make the cut, and a lengthy Honorable Mentions section aims to tow the line) shows a wonderful and wide-ranging miscellany. With the gender balance being bravely argued it is with joy that a suiting Hollywood ending be reflected in Taste of Cinema’s year end roundup.
The bright lights in Tinseltown were especially revealing in 2017, not only displaying the cinematic spectacles that the motion picture industry is famous for but also, as the story of the year boldly blazons, but avowing the predators who have toiled there for too long.
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